Reaching the portal, the protagonist returns to Earth, now hundreds of years into the future. Afterward, she was placed under life support, which served as the reason for the protagonist volunteering to participate in the one-way expedition to the planet in the first place: despite knowing that it would take a long time (if at all) for his wife to recover, he was still unwilling to take her off of life support, as he wanted to give her "every chance to live again, even if wasn't there". One day, she disappeared, later discovered to have fallen off of a cliff and rendered comatose, with a mysterious green moss growing around her toes by the time she was found by the protagonist. As the protagonist makes his way to the exit portal, an interview flashback reveals that he had a wife on Earth. This also has the consequence of repairing the previously unstable portals, allowing the protagonist to leave the planet. Unfortunately, this was insufficient to prevent the colonists' demise and all of them were eventually wiped out, leaving Aelita the sole survivor.Īfter discovering this information, the protagonist is led by Aelita to the heart of the planet, where she sacrifices herself to restore the planet's original life forms. As a result, Aelita transformed into a human-plant hybrid that was able to survive on the planet and influence the growth of its plant life-forms. After observing that Aelita could interact with the plant forms, the desperate scientists experimented on her, injecting her with DNA taken from the plant forms of the planet. ![]() While looking for a solution, the Soviet scientists discovered that Aelita, a colonist who had lost both of her children early on in the crisis, had been maintaining a secret garden containing the various plant forms of the planet, among them the now extinct green moss. The portals themselves also became extremely unstable, and their connection to Earth was eventually severed. However, the Soviets' overuse of the portals and the planet's resources caused the green moss to gradually die out, which led to the portal mutating the remaining lifeforms on the planet to become hostile towards the colonists. To compensate, the previous inhabitants had constructed a second "exit" portal that led back to Earth, which was discovered by the Soviet colonists and used with the entrance portal to receive resources and new colonists. The entrance portal was eventually discovered to be only one way, constructed in this manner by the planet's previous inhabitants due to the times between the planet and Earth being out of sync (Earth is hundreds of years ahead of the planet). Wanting to use the planet to establish a "new Motherland" for their people, the Soviets kept their discovery a secret as they began colonizing the planet. The planet was originally filled with bountiful lifeforms, among them a strange type of green moss that acted as the primary energy source for the planet's native lifeforms (which the Soviets adapted as their main source of electricity on the planet). In 1974, the Soviets discovered a portal in Siberia which led them to the planet. Through audio recordings left behind by the Soviet colonists, the protagonist is able to piece together what occurred on the planet. As the protagonist makes his way across the planet in search of answers, he finds out he is not alone and the only other survivor is a mysterious Russian woman named Aelita who guides him through the planet's eerie landscape. As he explores through the planet, he occasionally receives hallucinations and flashbacks of his life on Earth. The game follows the protagonist as he explores the planet, figures out how the Soviets managed to travel to the planet and why the outpost is now empty, and why the planet is devoid of life. The mission is a failure as the ship is lost in the crash, both of the other crew members are killed, and the planet turns out to be an enormous wasteland seemingly completely devoid of life however, among the vast emptiness is a derelict Soviet Union science outpost constructed on the planet. The game follows an astronaut on a trip to another planet that is thought to be filled with lifeforms. Lifeless Planet was in development since 2011 and is primarily the product of the one developer, David Board. ![]() The game was released on Jfor Microsoft Windows and on Jfor OS X, and has been ported to the Xbox One on May 13, 2015, Linux on Maand to the PlayStation 4 on July 19, 2016. Lifeless Planet is a 2014 puzzle adventure developed by independent American company Stage 2 Studios and published by Serenity Forge. Windows, OS X, Xbox One, PlayStation 4, Linux, Switch
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![]() Download Final Cut Pro and Logic Pro from the App Store for free, and opt-in for a one-month free trial before you decide to subscribe to access the full version. They cost $4.99 a month per app, or $49 each for a yearly subscription. The media editing apps for iPad are available on a subscription based model. Final Cut Pro and Logic Pro for iPad pricing iPad Mini (5th gen or later), iPad Air (3rd gen or later), iPad 8th gen or later, iPad Pro 11-inch and 12.9 inch (3rd gen or later). The Logic Pro for iPad is compatible with devices that have an A12 Bionic chip or newer, i.e. You may even connect an Apple Keyboard and use it with the apps, as they support hotkeys.įinal Cut Pro for iPad is compatible with devices that are running on iPad 16.4 or newer, and have an M1 chip or above: iPad Pro 11-inch (3rd or 4th gen), iPad Air (5th gen), or 12.9-inch (5th gen or 6th gen) and Apple Pencil (2nd gen). There are a variety of plugins to customize your experience and get more out of the app. The app features a Sound Library that gives you access to royalty-free loops, samples and instruments that you can use in your song. Logic Pro has a touch-friendly navigation experience with gesture-based controls such as pinch to zoom, drag and drop regions, swipe across track header to view mixing controls, etc. ![]() It allows you to import GarageBand projects and start editing them. Logic Pro for iPad can be of great help for music creators who want to edit their work on the go. It supports several video formats, including ProRes RAW. The app features a jog wheel to quickly jump through the timeline. You can import projects from iMovie or record videos from scratch and edit them directly on your iPad with Final Cut Pro on a frame-by-frame basis. They support Apple Pencil for precise input and hover functionality. The iPad versions of the media editing suites come with a new interface that has been designed for touch screens. ![]() ![]() If your brain "está roto" over this right now, let it go until tomorrow (unless you have a test, of course.) Approach it again with a rested brain (el cerebro estará descansado) if it's still confusing, please ask again. Sometimes it's beneficial to take a mental break from trying to figure out a confusing grammatical point. In effect, it's like saying "el chico está enfermo" except it's with a past participle telling the condition of a thing. ![]() In contrast, if you use a form of "estar" with a past participle, you are merely telling the condition of the noun. Guard el rollo de cinta y se meti el suter entre el cinturn, y con sumo cuidado se introdujo por el vidrio roto. You are keeping your focus on the condition you are not referring to the action of the window being closed (example: "the window was closed by another passenger" - la ventana fue cerrada por otro pasajero - imagine the passenger getting up and closing the window) nor are you referring to the action of the glass being broken (example: "the glass was broken by the wind of the storm" - el vidrio fue roto por los vientos de la tormenta - imagine the force of the wind strking the glass and shattering it.) When you use a form of "ser" with a past participle (such as "cerrado" or "roto"), you are keeping your focus on the action that caused the closing or the breakage. OK, so "la ventana está cerrada", right? And "el vidrio está roto", is that correct? You would need forms of "estar" there because you are referring to the condition of the window and the condition of the glass. ![]() Please have in mind that Pragosa prabhu would want you all to believe that he is handling the situation in the most commendable way possible, but I am not so convinced, so I encourage him to do the same for the negligence in the above mentioned case. So I write this as a "knee jerk" reaction to the Pragosa's comment to the post on Dandavats dealing with the issue of Balabhadra prabhu. I am writing a lengthy report on the account for all interested in the case. The reason that I mention this is because the reaction of local ISCKON authorities (Pragosa/GBC and Manu/TP to this crime was highly motivated by the fact that one of their members was not only to compromise them legally as an unreported child molester, but also for the fact that their missionary visa giving facility (and hence import of cheap labour from India for their enterprises) would most definitely come under scrutiny by the Irish and UK governments. Several years ago (in the year 2002 to be precise) one Bengali "devotee" molested a little boy while working on the project for ISKCON in the Republic of Ireland (he was there illegally since his missionary visa covered him only for residing and working in UK and Northern Ireland). It seems like history is repeating again. All because of blatant negligence of people in power. Lately he was spotted in Mayapur where he will most likely commit more crimes. One of these I can prove for certain and possibly more, including my own son. He was allowed to remain in the Irish Yatra after the first crime of 2002 was committed because he was a valuable resource (very, very cheap labour by Irish standards), only to cause more hurt to moreĬhildren. In both cases the perpetrator was the same, a Bengali person named Madan Mohan das. That happened as a consequence of a case of 2002 being covered up for by the local ISKCON authorities (mainly Manu and Pragosa prabhus). Especially aware are the parents of the child molested in 2004. ![]() Local devotees are somewhat informed about the whole thing also, through mainly my initiative. I know Pragosa will not publish it on Dandavats because it will compromise him in many ways, so I have no other choice than to beg you to consider this submission.Įverything I say is verifiable by ISKCON CPO and Northern Irish police as well as Southern. I have tried to resolve issues with Pragosa dasa (GBC) and Manu dasa (local Temple President) directly, but I got nowhere. Sep 28, IRELAND (SUN) A report on alleged child abuse in Ireland Yatra.ĭear readers of the Sampradaya Sun: I have an urgent concern I need dealt with publicly. I squeezed the trigger and the first round pinged off a metal target 15 yards away. There are videos of 3D-printed guns splintering into pieces during test fires, and I was a little nervous as Pincus coached me on posture and grip. On the shooting range, the plastic ghost Glock felt heavy in my hand. “It's not supposed to be legal, and yet we found a way to make it legal.” “The files are literally everywhere in a perfect fluid explosion on the internet,” Wilson said. In addition to hosting 3D-gun files, Wilson also sells a machine called The Ghost Gunner, which helps convert unfinished parts into AR-15s and other guns. He pleaded guilty to injuring a child, a third-degree felony, and received seven years of probation. In 2018, he was arrested and accused of sexually assaulting a 16-year-old girl he met through. Wilson is a polarizing figure in the gun world. government tried to limit sharing of 3D-printed gun blueprints through the State Department’s powers over international arms exports. ![]() You can design anything.”įor years, the U.S. The equipment-the 3D printing, it's so cheap. authorities could ever hope to totally block the files from being shared online, he replied: “The government should invent a time machine and kill me seven years ago. And while there’s evidence of extremists and criminals seeking to exploit the untraceability of ghost guns, there is also a nerdy group of designers and tinkerers who insist they are strictly abiding by gun laws and enjoying a “very loud” hobby. “Consequently, anyone from a criminal to a terrorist can buy this kit and, in as little as 30 minutes, put together a weapon.”īut building a 3D-printed gun from scratch, as I learned, takes a lot longer than half an hour. “The buyers aren’t required to pass a background check to buy the kit to make the gun,” President Joe Biden said. They are virtually unregulated federally, but the Biden administration has proposed new rules that would require serial numbers on certain unfinished parts and restrict mail-order kits, which the president singled out in an April speech at the White House. Only ten states plus Washington, DC, have local laws that attempt to regulate ghost guns. To meet these gunmakers and get a true sense of what 3D-printed guns are capable of these days, I decided to enter the shooting contest in Florida-and build my own ghost gun. ![]() You could either specify the SMR File Path as the function parameter, or copy & paste the Mouse Recorder Code into your AHK script with the Copy menu item. This function allows you to execute Mouse Recorder Code in your AHK Script. Here is an example in AHK: RunWait, Mouse Recorder.exe "MyScript.smr" SMR Files (Script - Mouse Recorder) from AHK: You can then stop this Playback by using the Stop Hotkey (CTRL+SHIFT+S). ![]() It runs on both 32-bit and 64-bit systems with no dedicated 64-bit download provided.>Download Mouse Recorder.exe>Loop. Previous versions of the operating system shouldn't be a problem with Windows 8, Windows 7 and Windows Vista having been tested. Mouse Recorder Pro 2 can be used on a computer running Windows 11 or Windows 10. What version of Windows can Mouse Recorder Pro 2 run on? Click Playback button to replay recorded actions. Click Stop button or press the Hotkey to stop recording. Click Recording button to record keyboard and mouse actions. Download and installation of this PC software is free and 2.0.7.6 is the latest version last time we checked. Axife - Mouse Recorder - Macro Recorder Record and replay groups of keyboard and mouse actions With the built-in action wizard editor. Mouse Recorder Pro 2 is provided under a freeware license on Windows from automation tools with no restrictions on usage. Variables: Use variables to control the flow of macros.Ĭompatibility and License Is Mouse Recorder Pro 2 free to download?.Triggers: Trigger macros with mouse or keyboard input.Security: Secure macros with password protection. Mouse speed - the mouse recorder will attempt to replay your mouse moves at the exact same speed by inserting 'delay' commands into the recorded macro.Scripting: Create powerful scripts with the built-in editor.Scheduling: Schedule tasks to run at specific times.Macro Recording: Record mouse clicks and keyboard input.Looping: Automatically repeat macros for continuous execution.Hotkeys: Create custom hotkeys to quickly access macros.Exporting: Export macros to other applications.Mini Mouse Macro is a great free mouse and keyboard recording. Editing: Edit macros with the built-in editor. Light weight mouse and keyboard macro recording machine.Debugging: Debug macros with the built-in debugger.Data Input: Automate data entry with the data input feature.Compression: Compress macros for smaller file size.Automation: Create automated tasks with ease.Using the tool is as simple as clicking the ‘record’ button and hitting the ‘stop. Axife Mouse Recorder is extremely easy to use. The action wizard editor offers dedicated buttons to record actions, stop recording and play the recordings. With such deadlines, any sort of shortcuts from the computer itself can be a life savior. You are able to edit what you have been recording for further development. Axife Mouse Recorder is an app that lets you record and replay different mouse and keyboard actions. Free Mouse Recorder Download for Windows David Wilson 15:29:19 Filed to: Free & Online Recording Tools Often we are assigned huge tasks on our computers that take so much of our time. Compatible with Windows 7, Windows 8, Windows 10 and 64-bit systems. To replay the recorded sequence, hit Play. To start the recording process, hit Record and start simulating the keyboard and mouse actions you'd like the application to record. You can play what you have been recording in a scheduled time you set. GhostMouse allows you to record and automate a sequence of mouse clicks and keystrokes on a Windows PC. You are also able to edit and set the repeat time of your recordings. The built-in macro editor allows you to review your recording, rearrange actions, change pauses or edit keyboard input. Just like a tape recorder for your computer. Macro Recorder records your mouse movements, mouse clicks and keyboard input. ![]() This program allows you to easily play the recorded steps made when installing or working with a certain application. Download for Windows and Mac Press Record. Mouse Recorder Pro 2 is a free mouse and keyboard recording application which will record your computer mouse and keyboard input, allowing you to repeat an operation easily and fast. Record a set of mouse actions and then play them back ![]() Not included in the soundtrack #Ī montage of guitar riffs used as the air guitar sounds throughout the film.Īcts as Wyld Stallyns' crude audition for the Battle of the Bands. Plays when the recently resurrected Bill and Ted leave Vasquez Rocks park for the "Builders Emporium," followed by the scene where Evil Bill and Ted drive to Missy's house. ![]() Plays on the stereo of the red Porsche 911 that Evil Bill and Ted steal, at the moment Evil Ted identifies it on top of Vasquez Rocks. Played by the actual band who are contestants for the Battle of the Bands in the film. Plays as Evil Bill and Ted carry their human counterparts up Vasquez Rocks and kill them. Plays while the two Bill and Teds head to Vasquez Rocks park in the van. Plays as Bill and Ted leave the coliseum where the Battle of the Bands will take place, and at Joanna and Elizabeth's birthday party. Plays as Bill and Ted pull into the "Builders Emporium" parking lot. Was instead used in a few trailers for the film. Also in the extended version seen exclusively on TBS where Bill gives Death a pep talk. Plays as Bill and Ted head for the Battle of the Bands competition, and Station constructs the good robot version of Bill and Ted. Plays while the Evil Bill and Ted continue to wreck their human counterparts' apartment, right before getting another message from DeNomolos. Portions of "The Reaper Rap" are absent in the film during its play and feature sounds that not included in the version that appear with this release. Notably, the track "The Reaper Rap", a reprise of Steve Vai's "The Reaper", features not only sound bytes of dialog heard in the film, but also dialog from the film's deleted scenes now believed to be lost. In this version, the title character Tommy was voiced by singer songwriter Tom Waits. "Tommy the Cat" was previously released on Primus' album Sailing the Seas of Cheese. "Dream of a New Day" was previously released on Richie Kotzen's 1990 album Fever Dream. Pieced together versions featuring Steve Vai's intro have been made by fans. 1, along with all of the other small pieces performed by him during the movie. The intro solo was released by Steve Vai in his compilation album The Elusive Light and Sound, Vol. The version of "God Gave Rock 'n Roll to You II" is not that which plays at the film's end as it lacks the intro by Steve Vai and the sound of girls chanting the chorus as the song fades to end. Both songs were released one month prior on Neverland's self-titled debut album. However the intro from "Drinking Again" was used for a television promo for the film. Neverland's song "Drinking Again" was not used in the film, but was a substitute for another Neverland song "For the Love (of Music)". ![]() The Winger track "Battle Stations" was written by front man Kip Winger after reading the script for the film and recorded shortly after the band returned from their first European tour. ![]() "Shout it Out" was recorded while Slaughter was on the road during their Stick It Live tour. Many of the contributing artists have a cameo of some form in the film. Many of these songs, such as Faith No More's "The Perfect Crime" and Megadeth's "Go To Hell", help paint the darker tone of the film. Unlike the soundtrack to the film's predecessor, Bill & Ted's Excellent Adventure, this soundtrack features music from artists well-known at the time of the film's release. In Japan it was released on August 25, 1991. It was released by Interscope Records on Jon CD and cassette formats. Bill & Ted's Bogus Journey: Music from the Motion Picture is the licensed soundtrack to the 1991 Orion Pictures film Bill & Ted's Bogus Journey. ![]() Physicians plan to use Netspot PET in order to diagnose neuroendocrine tumors, determine treatment options, plan surgery, and monitor for recurrence. ![]() In addition, finding NETs in this manner means the patient would likely be eligible for a new treatment, called Peptide Receptor Radionuclide Therapy (PRRT), that uses hormone-tagged radiation to find and attack the cancer cells. The improved image can help the oncologist choose optimal therapy, such as choosing surgery or systemic therapy. Because PET can be used, the physician gets a very clear, high-resolution image that can identify very small lesions that would otherwise be missed. Completed in a couple hours, this test is much quicker than the onerous three-day octreoscan (which uses a radioactive drug and a gamma camera to measure the radio material over time. This imaging approach significantly improves detection of NETs in three important ways: ![]() How is it better than current testing methods? Ga-68 dotatate is a radioactive lookalike of the hormone that binds to the somatostatin receptors, highlighting the tumor on PET imaging. While NETs don’t consume glucose like other cancers, their cells do have plenty of receptors for the hormone somatostatin, which regulates the endocrine system. (PET scans normally detect cancer by infusing patients with a glucose preparation and then identifying the body areas where glucose is being consumed or metabolized rapidly.)Ī new agent, gallium-68 dotatate (Netspot ®), recently FDA-approved and available at Roswell Park, can be used as a PET tracer instead of radiolabeled glucose to identify carcinoid tumors even very small lesions significantly better than any currently available imaging. Typical positron emission tomography (PET) scans are not effective in detecting carcinoid tumors, because unlike other cancers, NETs do not consume glucose rapidly. Neuroendocrine Tumor Survivor: Frank's Story ![]() The finale sequence (whilst spectacular in its grandeur) is absolute BS and not at all earned, and really feels like marketing ploys for Dokkan, figures etc. Two wrongs dont make a right, and the Broly film was still great, but this movie is getting hate for something it equally stumbled on. Regarding the final villain of this flick, he admittedly has little character and is a pure powerhouse, yet the same can pretty much be said for Broly, aside from a few lines and a pretty candid backstory, he is no different. There is definitely apparent nostalgia, but no worse is it than Dragon Ball Super BROLY, the movie that literally is about reusing a villain and was marketed around Gogeta fighting him. The most common criticism I hear of this film is that it is pure nostalgia pandering and nothing more. Addressing common criticism of this film, some are fair whilst others feel very contradictory for Dragon Ball SUPER. Goku and Vegeta's scenes were not needed and are purely here as they are of course the most popular characters, but, their fight is a highlight and its thrilling spectacle distracts the viewer from its non-importance. The movie never feels like it is missing the presence of Goku and Vegeta, however of course, they are still coerced in here. The change of Piccolo to leading man with the dynamic between him and Gohan works well albeit, a little Déjà vu. This is impressive as this movie takes a step back from the nonstop action of Dragon Ball Super: Broly, and presents with some character moments and nonchalant comedy. This films pacing is rocket fast never dragging, yet never feeling particularly rushed. It is not entirely perfect, and rough around the edges when major spectacle isn't taking place (ironically it looked the worst at the start where you would want to make a good impression), but 95% of the time looks great and is getting too much unfair bandwagon hate over freeze framing transition shots. Combined with this films booming soundtrack, the fight scenes leave a huge impact and are an absolute awe to watch. This movie's animation is spectacular when it counts, the fights have a real 3D sense that Director Tetsurô Kodama takes full advantage of, giving Dragon Ball new life and originality, with previous attempts of Dragon Ball CGI not even coming close. It cannot be stressed enough to actually watch this film in a cinema or bare minimum an actual HD screening not a camrip like so many have and only have. It doesn't affect me much personally because I like to watch anime in Japanese subbed, but it'd be nice for hard-of-hearing and deaf people to have the option of watching it dubbed.Dragon Ball Super: Super Hero, whilst having probably the worst name of any Dragon Ball movie, is one of the most enjoyable Dragon Ball films ever put to screen. My only real complaint about the FUNi Dragon Boxes and their current DVD anime releases in general is they lack closed captioning and subtitles for their dubs. FUNi isn't even that versatile with captioning and subtitles nowadays. Oddly enough, (edit:) before then the home releases had closed captioning as well as dub subtitles (along with the translation subtitles). If memory serves, the driving school episode was the first one to be closed captioned. Related tidbit: FUNi didn't start captioning DBZ on Toonami till after Trunks arrived. America is far from ideal when it comes to disability rights, and there are some countries that approach it better than us, but it's way ahead of many, many countries as well-which is disturbing to me. I'm always fascinated by international disability rights. How is the disabled community in general regarded by mainstream Japanese society? Is there an effective disability rights movement? How much focus is there in creating accessibility and equality? So many questions. The main reason closed captioning has become prevalent here is because of deaf activism. This leads me to wonder how strong the political deaf community is in Japan. ![]() It's a weird thing to think that I might have been less familiar with Dragon Ball had I been born in Japan. Is that true for all the Dragon Ball home video releases in Japan? Is there closed captioning for the Dragon Ball/Z/GT/Kai series when they air in Japan? I can comprehend Dragon Ball and DBZ not having closed captioning in its original run, since in the US closed captioning first started in the '80s and it's a relatively recent thing that nearly all shows on television are closed captioned (about late '90s, early 2000s), but the possibility that even current airings are not accessible to the hearing-disabled is shocking to me. ![]() As a person who's been deaf (more difficulty hearing higher frequencies than lower, in my case) all his life, I'm kind of dismayed to find out that the JP Dragon Boxes don't have Japanese subtitles. Markman references the dual relationship principle, an “ironclad rule” in psychotherapy that therapists cannot have any relationships with patients beyond their professional one. There are also potential conflicts of interest. Of course, there’s the chance that the relationship won’t work out and that there will be hurt feelings on one or both sides. Here are some things to think about.īefore you act on your feelings, it’s important to think through the risks - and there are quite a few. If you’ve become romantically interested in a colleague, proceed carefully. ![]() And “the more familiar you are with the person, the more likely it is that you’ll become attracted to one another,” she says. Research shows that we also tend to fall for people who are similar to ourselves, says Amy Nicole Baker, an associate professor of psychology at University of New Haven and author of several papers on workplace romance. “You spend a tremendous amount of time at work and, if you put people in close proximity, working together, having open, vulnerable conversations, there’s a good chance there are going to be romantic relationships,” he says. There are perfectly good reasons why coworkers fall for one another, says Art Markman, a professor of psychology and marketing at the University of Texas at Austin. So what if you and a colleague have been flirting and might want to explore a relationship? Should you steer clear? Should what’s right from a professional perspective override what’s best for your personal life? Some companies even have explicit policies against it. Lots of people meet their partners at work, and yet dating someone in the office is often frowned upon. |
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